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Bliss 2009-2014

Bliss is a series of over fifty unique dye-destruction prints created between 2009 and 2014 transformed as large-scale works and limited to an edition of three. A selection of these works is also available in a smaller scale edition of ten as part of the richly illustrated artists’ book.

Learn more about Bliss, an imprint special project.

Garry Fabian Miller Voyage to the Blue Edge, Winter 2013 Hackelbury

Voyage to the Blue Edge, Winter 2013 by Artworks

Light, water, Lambda c-print from dye-destruction print
Frame size: 24 x 19.5 inches (Edition of 10)
Frame size: 42 x 50 inches (Edition of 3)

Voyage A Blue Meeting, Winter 2013 Garry Fabian Miller Hackelbury

Voyage A Blue Meeting, Winter 2013 by Artworks

Oil, water, light, Lambda C-print from dye destruction print
Frame size: 24 x 19.5 inches (Edition of 10)
Frame size: 42 x 50 inches (Edition of 3)

Garry Fabian Miller The Enclosure, Winter Hackelbury

The Enclosure, Winter 2009–2010 by Artworks

Light, water, lightjet c-print from dye-destruction print
Frame size: 27.5 x 20.1 inches (Edition of 10)
Frame size: 80 x 62 inches (Edition of 3)

Garry Fabian Miller - Gaze (i) Water, Hackelbury

Gaze (i) Water, 2009–2010 by Artworks

Light, water, Lambda c-print from dye-destruction print
Frame size: 27.5 x 24 inches (Edition of 10)
Frame size: 72 x 84 inches (Edition of 3)

The Middle Place, Home, 2012 Hackelbury Garry Fabian Miller

The Middle Place, Home, 2012 by Artworks

Oil, water, light, Lambda C-print from dye destruction print
Frame size: 30.5 x 22.25 inches (Edition of 10)
Frame size: 58 x 78 inches (Edition of 3)

Garry Fabian Miller The Middle Place, Golden, 2012 Hackelbury

The Middle Place, Golden, 2012 by Artworks

Oil, water, light, Lambda C-print from dye destruction print
Frame size: 30.5 x 22.25 inches (Edition of 10)
Frame size: 58 x 78 inches (Edition of 3)

Garry Fabian Miller Blue in Blue, Late Winter 2009 Hackelbury

Blue in Blue, Late Winter 2009 by Artworks

Water, light, Lambda C-print from dye destruction print
Frame size: 27.5 x 19.5 inches (Edition of 10)
Frame size: 56.5 x 80.4 inches (Edition of 3)

Garry Fabian Miller White in Blue, Late Winter 2009 Hackelbury

White in Blue, Late Winter 2009 by Artworks

Water, light, Lambda C-print from dye destruction print
Frame size: 27.5 x 19.5 inches (Edition of 10)
Frame size: 56.5 x 80.4 inches (Edition of 3)

Garry Fabian Miller Black Sun, Autumn 2011 Hackelbury

Black Sun, Autumn 2011 by Artworks

Light, water, Lambda c-print from dye-destruction print
Frame size: 27.5 x 22.25 inches (Edition of 10)
Frame size: 76 x 62 inches (Edition of 3)

Garry Fabian Miller Orange Aqua, Late summer 2009 Hackelbury

Orange Aqua, Late summer, 2009 by Artworks

Light, water, lambda supergloss C-type print
Frame size: 27.4 x 37 inches (Edition of 10)
(Edition of 3) - Sold Out

Cobalt 1, Autumn 2010, by Garry Fabian Miller Hackelbury

Cobalt 1, Autumn 2010 by Artworks

Light, water, Lambda c-print from dye-destruction print
Frame size: 27.5 x 22.5 inches (Edition of 10)
Frame size: 57.5 x 69 inches (Edition of 3)

Cobalt 2, Autumn 2010, by Garry Fabian Miller Hackelbury

Cobalt 2, Autumn 2010 by Artworks

Light, water, Lambda c-print from dye-destruction print
Frame size: 27.5 x 22.5 inches (Edition of 10)
Frame size: 57.5 x 69 inches (Edition of 3)

Garry Fabian Miller, Bliss, at HackelBury Fine Art, 2016.

Sections of England, the Sea Horizon

The importance of place has since become a predominant theme and was at the heart of Fabian Miller's first major body of work Sections of England: The Sea Horizon in 1976.

Read More/Less

Sections of England: The Sea Horizon is a series of forty photographs taken from a fixed point on the roof of his home overlooking the Severn Estuary in which the photographic elements of lens and film and exposure remained constant so that the only change from frame to frame was in the time of day and the weather. The cumulative series presents a powerful study of time and place and were first shown as part of the Midland Open Exhibition at London’s Serpentine Gallery in 1977 and in a fuller form in his first solo exhibition at the Arnolfini Gallery in Bristol in 1979.

Sections of England: The Sea Horizon 4, 1976-1976

Sections of England: The Sea Horizon, No. 4, 1976-1976 by Artworks

Lambda C-type print
38.1 x 38.1 cm (Edition of 5)

Sections of England: The Sea Horizon 5, 1976-1976

Sections of England: The Sea Horizon, No. 5, 1976-1976 by Artworks

Lambda C-type print
38.1 x 38.1 cm (Edition of 5)

Garry Fabian Miller - Sections of England: The Sea Horizon No. 16, 1976-1977

Sections of England: The Sea Horizon, No. 16, 1976-1977 by Artworks

Lambda C-type print
38.1 x 38.1 cm (Edition of 5)

Garry Fabian Miller - Sections of England: The Sea Horizon No. 17, 1976-1977

Sections of England: The Sea Horizon, No. 17, 1976-1977 by Artworks

Lambda C-type print
38.1 x 38.1 cm (Edition of 5)

Garry Fabian Miller - Sections of England: The Sea Horizon No. 18, 1976-1977

Sections of England: The Sea Horizon, No. 18, 1976-1977 by Artworks

Lambda C-type print
38.1 x 38.1 cm (Edition of 5)

Garry Fabian Miller - Sections of England: The Sea Horizon, No. 19, 1976-1977

Sections of England: The Sea Horizon, No. 19, 1976-1977 by Artworks

Lambda C-type print
38.1 x 38.1 cm (Edition of 5)

Garry Fabian Miller - Sections of England: The Sea Horizon, No. 20, 1976-1977

Sections of England: The Sea Horizon, No.20, 1976-1977 by Artworks

Lambda C-type print
38.1 x 38.1 cm (Edition of 5)

Sections of England: The Sea Horizon 37, 1976-1976

Sections of England: The Sea Horizon, No. 37, 1976-1976 by Artworks

Lambda C-type print
38.1 x 38.1 cm (Edition of 5)

SH_groupinstall

Installation image from HackelBury Fine Art, London, 2013.

Year One and Year Two

Referred to as Year One and Year Two, this period of free experiment collated his accumulated knowledge into a body of work that presented a pattern book of ideas for the future.

Read More/Less

Elements of Year One and Year Two formed the basis of exhibitions at the New Art Centre, Salisbury in 2007; Newlyn Art Gallery, 2008 and Abbot Hall Art Gallery in 2009 and Gimpel-Muller Gallery, Paris 2011. These have paved the way for Miller’s most recent experiments with large format images.

Garry Fabian Miller Edrinios, Single No 71, Hackelbury

Edrinios, Single No 71, 2005-2006 by Artworks

Unique water, light, dye destruction print
50.5 x 40.5 cm

Garry Fabian Miller Edrinios, Pale in Pale, 2005-2006 Hackelbury

Edrinios, Pale in Pale, 2005-2006 by Artworks

Unique light, water dye destruction print
50.5 x 40.5 cm

Garry Fabian Miller Edrinios, Single No. 63, 2005-2006 Hackelbury

Edrinios, Single No. 63, 2005-2006 by Artworks

Unique water, light, dye destruction print
50.5 x 40.5 cm

Garry Fabian Miller Year One Samonios (Y1 S6), October, 2005 Hackelbury

Year One Samonios (Y1 S6), October, 2005 by Artworks

Light, oil, unique dye destruction print
Frame size: 14.5 x 18 inches

Garry Fabian Miller Year One Samonios (Y1 S4), October, 2005 Hackelbury

Year One Samonios (Y1 S4), October, 2005 by Artworks

Light, oil, unique dye destruction print
Frame size: 14.5 x 18 inches

Plant Works

Garry Fabian Miller has long explored the significance of time, light and purpose. This series issues from an assured standpoint, looking back as well as forward.

"The flower gives of itself almost invisibly, serves its reproductive purpose, then fades and decays and falls back into the ground. It can be observed or not by anyone." -Garry Fabian MIller

Garry Fabian Miller Gingko, October/November, 2011 Hackelbury

Gingko, October/November, 2011 by Artworks

Leaf, light
96 unique dye destruction prints 7.5 x 4.5 inches [each print]

Garry Fabian Miller Agnes. Allium, Homeland, June 2011 Hackelbury

Agnes. Allium, Homeland, June 2011 by Artworks

Flower, light
25 unique dye destruction prints 19 x 20.3 cm [each print]

Garry Fabian Miller Waiting, One Hundred Days, April 18th - July 25th, 2011 Hackelbury

Waiting, One Hundred Days, April 18th - July 25th, 2011 by Artworks

Leaf, light
120 unique dye destruction prints 8.9 x 11.4 cm [each print]

Garry Fabian Miller Last Honesty Hackelbury

Last Honesty, 2012 by Artworks

Plant, light, dye destruction print
184.2 x 224.8 cm

Garry Fabian Miller Mary of Silence, June 2011 Hackelbury

Mary of Silence, June 2011 by Artworks

Flower, light
three unique dye destruction prints 20.3 x 25.4 cm [each print]

That I Might see Install

installation image from That I Might See at HackelBury Fine Art, 2011

2014-2021

Garry Fabian Miller - Sites of Departure - hackelbury fine art- camera less photography - yellow square on blue background

Sites of Departure: The Window, 2018-2019 by Artworks

Light, Water, lambda c-type print from dye destruction print
121.9 x 105.5 cm

Sites of Departure The Book Garry Fabian Miller HackelBury Fine Art abstract camera less artwork

Sites of Departure: The Book, 2018-2019 by Artworks

Light, Water, lambda c-type print from dye destruction print
73.15 x 84.6 cm

Garry Fabian Miller HackelBury Fine Art Gilded abstract camera less artwork

Gilded, 1992-2015 by Artworks

Light, Oil, Lambda C-print from dye destruction print
Frame size: 54.5 x 54.5 inches (Edition of 3)

The night drift Garry Fabian Miller HackelBury Fine Art abstract camera less artwork

The night drift, 2011-2018 by Artworks

Light, Water, Lambda c-Print from Dye Destruction Print
Frame size: 52 x 62 inches (Edition of 3)

They lit fires Garry Fabian Miller HackelBury Fine Art abstract camera less artwork

They lit fires, 2016-2017 by Artworks

Light, Water, Lambda C-print from dye destruction print
121.9 x 152.4 cm

Garry Fabian Miller Joy and gravitation Garry Fabian Miller HackelBury Fine Art abstract camera less artwork

Joy, and gravitation, 2016 by Artworks

Light, Water, Lambda C-print from dye destruction print
Frame size: 58.5 x 87.5 inches (Edition of 3)

Garry Fabian Miller Almost abstract camera less artwork

Almost, 2008-2015 by Artworks

Light, Water, Lambda C-print from dye destruction print
Frame size: 55.5 x 80.5 inches (Edition of 3)

Garry Fabian Miller In Blake’s Room camera less artwork

In Blake’s Room, 1999-2015 by Artworks

Light, Water, Lambda C-print from dye destruction print
Frame size: 47.5 x 56.5 inches (Edition of 3)

Garry Fabian Miller artwork abstract pink and green squares camera less artwork

Memories lived in this place, 2019 by Artworks

Light, water, Lambda c-print from dye-destruction print
Frame size: 141 x 186.7 cm / 55.5 x 73.5 inches
Edition of 3

Garry Fabian Miller Here is Where One Starts From camera less artwork

Here is Where One Starts From, 2016 by Artworks

Light, Water, Lambda C-print from dye destruction print
29 x 34.5 cm (Edition of 10) / 109.2 cm x 127 cm (Edition of 3)

Garry Fabian Miller The Golden Flood camera less artwork

The Golden Flood, 2014-2015 by Artworks

Oil, Water, Light, Lambda C-print from dye destruction print
Frame size: 54 x 58 inches (Edition of 3)

Garry Fabian Miller, Darkroom’s Erasure, 2020

Darkroom’s Erasure, 2020 by Artworks

Light, Water, Lambda C-print from dye destruction print.
Art Size: 106.7 × 106.7 cm

Crown 1993-2015 by Garry Fabian Miller camera less artwork

Crown, 1993-2015 by Artworks

Light, Oil, Lambda C-print from dye destruction print
96.5 x 116.8 cm

Garry Fabian Miller The Return camera less artwork

The Return, 2014-2015 by Artworks

Light, Water, Lambda C-print from dye destruction print
Frame size: 48.5 x 58.5 inches (Edition of 3)

Garry Fabian Milller, Hinge 2020

Hinge, 2020 by Artworks

Light, Water, Lambda C-print from dye destruction print.
Art Size: 95.3 × 152.4 cm

Garry Fabian Miller, HackelBury

The atmosphere absorbs its own light, 2020 by Artworks

Light, Water, Lambda C-print from dye destruction print.
Art Size: 95.3 × 152.4 cm

Garry Fabian Miller, Already It had Changed HackelBury

Already It had Changed, 2015 by Artworks

Light, Water, Lambda C-print from dye destruction print.
Art Size: 37.5 x 48 inches - Frame size: 46 x 56.5 inches