Abstract Photography

William Klein began his career as an abstract artists before becoming a renowned fashion and street photographer. Studying under Fernand Léger in Paris, Klein initially explored abstract painting, holding two successful solo exhibitions in Milan. His early work—characterized by bold lines, dramatic contrasts, geometric patterns, and a dynamic interplay between harmony and chaos—laid the groundwork for the visual style that would define his later work in fashion, documentary, and street photography. Klein’s foray into photography came about unexpectedly: he won a camera in a poker game. His experimentation with the medium led him to photograph his abstract paintings, capturing blurred images and then manipulating the negatives in the darkroom. This playful approach to the medium would evolve into a ground-breaking style that merged his fine art roots with photography
  • WILLIAM KLEIN, Abstract #1, Paris, 1952
    Abstract #1, Paris, 1952
  • WILLIAM KLEIN, Abstract #10, Paris, 1952
    Abstract #10, Paris, 1952
  • WILLIAM KLEIN, Horizontal sticks, 1952
    Horizontal sticks, 1952
  • WILLIAM KLEIN, Moving Diamonds, Mural Project, Paris, 1952
    Moving Diamonds, Mural Project, Paris, 1952
  • WILLIAM KLEIN, Traces of moving white balls on black, Paris, 1949
    Traces of moving white balls on black, Paris, 1949
  • WILLIAM KLEIN, Abstract #11, Paris, 1952
    Abstract #11, Paris, 1952
  • WILLIAM KLEIN, Abstract #2, Paris, 1952
    Abstract #2, Paris, 1952
  • WILLIAM KLEIN, Abstract #5, Paris, 1952
    Abstract #5, Paris, 1952
  • WILLIAM KLEIN, Abstract #6, Paris, 1952
    Abstract #6, Paris, 1952
  • WILLIAM KLEIN, Abstract #7, Paris, 1952
    Abstract #7, Paris, 1952
  • WILLIAM KLEIN, Black Egg Swirling, Paris, 1952
    Black Egg Swirling, Paris, 1952
  • WILLIAM KLEIN, Black egg turning on white, Paris, 1952
    Black egg turning on white, Paris, 1952
  • WILLIAM KLEIN, Black knives, 1952
    Black knives, 1952