Alys Tomlinson: Lost Summer
HackelBury Fine Art, London is pleased to present ‘Lost Summer’ a solo exhibition of new work by Alys Tomlinson. The Lost Summer series consists of Tomlinson’s recent prom portraits photographed in June 2020 as lockdown eased and is accompanied by ‘Night Wanderings’, taken during lockdown as part of the artist’s daily exercise. The prom portraits capture the poignancy of a lost summer for teenagers who were unable to sit their school exams or mark this significant step in growing up and leaving school.
The exhibition, scheduled to open on 12th November, will instead open as soon as restrictions are lifted. During the lockdown, we will preview artworks from the exhibition in our window, installing a new group of photographs each week.
We were thrilled to be taking part in the first edition of Photo London Digital with artworks by Bill Armstrong, Stephen Inggs, Oli Kellett, William Klein, Nadezda Nikolova-Kratzer, Katja Liebmann, Ian McKeever, Garry Fabian Miller, Doug & Mike Starn, and Alys Tomlinson. The artworks exhibited can still be viewed in our booth on Artsy.
Alys Tomlinson: In Focus
We are pleased to announce ‘In Focus’, our new online feature. ‘In Focus’ will provide an in-depth look at the work, inspiration and future projects of HackelBury artists
Our inaugural ‘In Focus’ shines a spotlight on the life and work of Alys Tomlinson giving an enhanced overview of the artist, her general working practice, and an interview with Alys with links to recent videos and podcasts.
Oli Kellett: Fellow Humans
10th September – 31st October 2020
HackelBury Fine Art is pleased to present Oli Kellett’s second solo exhibition with the gallery ‘Fellow Humans’, 10th September – 31st October 2020. Fellow Humans focuses on Kellett’s ongoing and evolving Cross Road Blues series made up of large scale photographs taken at crossroads in cities across North and South America.
Kellett’s largescale photographs contrast the anonymity of urban space with the individuality of human experience. The scale of these photographs captures tangible human expression and allows the viewer to recognise a moment of conscious contemplation in their lives. Kellett´s journey to find the perfect light sees him walking the streets for days before setting up his large format architectural camera and waiting to capture these intensely private moments. The way the buildings frame his photographs and his focus on the light creates a cinematic quality, providing a dramatic architectural backdrop to these unstaged scenes. An admirer of the great American painter Edward Hopper, who famously reflected American life in silent spaces and melancholic moments, Kellett´s mesmerizing photographs of everyday people waiting at crossroads provide us with a powerful contemporary metaphor.
Paris Photo New York: Online Catalogue
Due to the Paris Photo New York being postponed, the fair launched the Online Catalogue featuring over 170 galleries and publishers.
Online Viewing Rooms
Our Online Viewing Rooms offer a more in depth focus on an artist or particular series. Featuring works by Garry Fabian Miller, Doug & Mike Starn, Malick Sidibé, Nadezda Nikolova-Kratzer, and Oli Kellett, our online platform contextualises the works and provides the opportunity for our audience to engage with them on a deeper level.
Bill Armstrong: Chroma
Current Online Exhibition
HackelBury Fine Art is pleased to present Bill Armstrong: Chroma, 28 February – 9 April 2020. Chroma is a celebration of colour: vibrant red silhouettes are contrasted against a soft blue background, a bold yellow figure stretches across a swathe of rich cerulean, another figure, rendered in deep violet, appears against a green backdrop.
22nd November 2019 – 8th February 2020
This exhibition brings together works spanning fifteen years of Inggs’ career, including important black and white photographs and new colour photographs on view in London for the first time.
The new colour photographs focus on the sea surrounding Cape Town, where Inggs has been an avid surfer for fifty years. His work examines his love for the sea but also a fear of the environmental impact humans are having on the oceans. Inggs says: “In its myriad states of movement and stillness, the sea is a timeless metaphor for human emotions and psychological states… But, for how long will this metaphor last? Not because we are changing, but because we are changing the sea.” This uneasiness can be felt in Saltwater I, II, and III where Inggs places himself—and therefore the viewer—in among the waves, creating the impression of being engulfed by water. The soft focus of the camera plays against the violence of the tumultuous seas.
Art Miami | One Herald Plaza, Miami | 3rd – 8th December 2019
We were delighted to return to Art Miami in December with artworks by Garry Fabian Miller, Doug & Mike Starn, William Klein, Nadezda Nikolova-Kratzer, Oli Kellett, Bill Armstrong, and Stephen Inggs.
As colors steal | Keble College, Oxford | 20th November 2019
A film by Garry Fabian Miller with poetry contributions by Alice Oswald and live music accompaniment by Stevie Wishart.
William Klein: Painted Contacts + Photographs
13th September – 2nd November 2019
At the centre of this exhibition are William’s super-sized painted contacts, which have been an enduring feature in museum exhibitions throughout William’s career, including shows at the Tate Modern (2012-2013), the Centre Pompidou (2005), and the Espacio Fundación Telefónica, Madrid (until September 2019). Painted Contacts + Photographs marks the first time that these large-scale Lightjet c-prints are available to the public. This exhibition includes previously unreleased works from the series.
Paris Photo | Grand Palais, Paris | 7th – 10th November 2019 | Booth C42
We were delighted to return to Paris Photo with artworks by Garry Fabian Miller, Ian McKeever, Nadezda Nikolova-Kratzer, Doug & Mike Starn, Oli Kellett, William Klein, Katja Liebmann, and Alys Tomlinson.
Twenty-one | 14th June – 10th August 2019
In celebration of the gallery’s twenty-first anniversary, HackelBury Fine Art is pleased to present Twenty-one. This exhibition looks to the future of the Gallery by highlighting new and key works from our artists.
Katja Liebmann: Early Work
2 May – 8 June 2019
Katja Liebmann: Early Work, the artist’s first solo London exhibition since 2010, brings together five bodies of work from the artist’s early career which illustrate her on-going examination of the confluence of time, movement, and environment. Katja’s use of early photographic techniques—the pinhole, kallitype, and cyanotype—further reinforces the theme of time, reflecting on tools of the past to emphasise the fleeting nature of the present. Katja’s process, she stresses, is not nostalgic. Instead, it is a study into our continual progression over time.
Photo London | 16 - 19 May 2019
Somerset House | Courtyard Pavilion Booth G25
We were pleased to return to Photo London this year with artworks by Garry Fabian Miller, Oli Kellett, Pascal Kern, William Klein, Katja Liebmann, Ian McKeever, Nadezda Nikolova-Kratzer, Doug & Mike Starn, and Alys Tomlinson.
Alys Tomlinson: Ex-Voto | 7th March – 18th April 2019
In Ex-Voto Alys Tomlinson explores Christian pilgrimage sites in Lourdes in France, Ballyvourney in Ireland and Grabarka in Poland. Shot on a large format 5×4 film camera, the works evoke a stillness and reflect the mysterious, timeless quality present at these sites of great contemplation.
This exhibition coincides with the release of “Ex-Voto”, published by GOST Books with essays by Guardian writer Sean O’Hagan, Professor John Eade, University of Roehampton and Dr Rowan Cerys Tomlinson. Works from Ex-Voto will be on view at Side Gallery, Newcastle and with the Royal Photographic Society touring exhibition which opens first in Bristol.
Oli Kellett: Cross Road Blues
16th November 2018 – 23rd February 2019
HackelBury Fine Art is pleased to announce British artist Oli Kellett’s first solo exhibition, Cross Road Blues, 16 November 2018 – 23 February 2019. This exhibition presents large-scale photographs from Kellett’s on-going Cross Road Blues series taken at urban intersections across America.
The series borrows its title from the legendary blues song by Robert Johnson which some claim is a reference to the singer selling his soul to the devil at a Mississippi Delta crossroads. The mythology surrounding Johnson’s song can be interpreted as a cautionary tale of the price paid for the American Dream, and Kellett’s allusion to it leaves the viewer wondering if the figures in his photographs chose their souls or their dreams at their crossroads.
The individuals and small clusters of people waiting in Kellett’s photographs seem to be part of a film set, strangely isolated in typically bustling urban centres and surrounded with cinematographic lighting. Like a film, each person tells a unique story about their American experience. One man waits for a passing school bus before crossing the street with a cast on his right foot (PeachTree St, Atlanta). A family stands together near the corner of the street (Hubbard St, Chicago), possibly deciding whether to walk or take the nearby stairs up to the train. Taken as a whole, the series shows commonalities that all humans share: waiting, thinking, deciding which way to go.