Joanne Leonard "She Shells" (1973) (courtesy Whitney Museum of American Art, New York; gift of Jeremy Stone)
Christine Hume writes on Joanne Leonard's photo collage series Journal of a Miscarriage and its significance in our current post-Roe era for Hyperallergic. The article discusses how the series addresses the persistence of outdated and inaccurate ideas about the biology of pregnancy among lawmakers and public figures, and emphasizes the ongoing relevance of Leonard's series and the need to redefine reproductive freedom in today's society.
You can read the full article by clicking here.
May 2, 2024
